We acknowledge the Wurundjeri and Boon Wurrung people of the Eastern Kulin nation on whose country we work and create.
We also acknowledge the traditional custodians throughout Aboriginal and Torres Strait Islander lands where our projects are placed. We recognise their ongoing connection to country, land and waters that were never ceded and pay our respects to Elders, past, present and emerging generations.
The courtyard house doesn't perform for the street. It performs for the people inside it.
One of the oldest residential typologies in architecture, and still one of the most radical.
From the Roman domus to Mies van der Rohe's unbuilt house studies, architects kept arriving at the same idea: organise the house around an interior void, and everything changes.
Light. Privacy. The relationship between inside and out.
In Melbourne's inner suburbs, where sites are compressed and neighbours close, the courtyard earns its place. A north-facing void draws winter sun deep into the plan, moves air through the house in summer, and gives back something a conventional layout rarely can: a landscape that belongs entirely to you.
Utzon understood it. Murcutt understood it.
The best contemporary work keeps returning to it. Not as nostalgia. As spatial intelligence.
At Kister Architects, some of our most interesting briefs begin with this question: what if the house turned inward?
#courtyardhouse #residentialarchitecture #melbournearchitecture #modernistarchitecture #contemporarydesign
We're looking for a modernist house that needs work.
The kind that's either untouched and tired, or loved a little too hard by the wrong decade. Peeling wallpaper. Vinyl floors. Pitted terrazzo. Gold taps. Missing tiles. Timber windows painted shut and rotting. Everything painted over. A plan that someone tried to fix but mostly just confused.
These are our favourite houses to work on.
And the brick colour you hate? We probably love it.
We know what's under there. We've done this before.
If you've got a house like this and you're wondering whether it's worth saving, it almost certainly is. Come and talk to us.
Link in bio.
#modernistarchitecture #melbournearchitecture #renovationarchitect #midcenturymodern #heritagerenovation
Do you love modernist houses?
There is a moment in every project where it stops being drawings and starts being a building.
It happens differently every time.
Sometimes it's the first day of framing, when the floor plan you've stared at for months suddenly becomes walls and volume and light moving through a real structure. Sometimes it's when the stone arrives and the material you chose from a sample the size of your hand is now covering an entire bench and it's better than you imagined. Sometimes it's a ceiling height you fought for, walked into, and just knew.
This is the part of the job nobody talks about enough.
The documentation is rigorous. The approvals are grinding. The tender process is methodical. All of it necessary. All of it worth it.
But watching something move from idea to object, that's why we do it.
Every material decision, every junction detail, every argument about a window height or a joinery profile, it all lands somewhere. On a Tuesday morning on a building site in Melbourne, on a block that used to be empty or tired or unloved.
And now it's something.
That never gets old.
#melbournearchitect #interiordesignmelbourne #architecturelife #designprocess #underconstruction
Every project starts with a conversation.
Sometimes a client arrives with a beautifully considered brief, room by room, material by material, lifestyle mapped out in detail. More often, they arrive with a feeling. A sense that their home no longer fits how they live, or a conviction that the bones of the building deserve better than what has been done to them over the years.
Our job, before a single line is drawn, is to listen carefully enough to understand both.
The brief is never just a list of rooms. It is a portrait of how a family moves through a day, how they want to feel when they walk through the front door, what they are holding onto from the original building and what they are ready to let go of. Getting that right, really right, is what separates a renovation that performs from one that resonates.
We spend a lot of time at the beginning asking questions that don't feel like architecture questions. What do you cook? Where does the dog sleep? Who gets up first? Do you eat together or does everyone drift? That information shapes the plan more than almost anything else.
The best briefs are the ones we build together.
#residentialarchitecture #melbournearchitecture #architectureprocess #renovationmelbourne #architecture
If you have ever looked at a property in an established Melbourne suburb and seen the words "heritage overlay" in the planning certificate, you might have felt a flicker of concern. What does it mean? How much does it limit what you can do? Is it even worth pursuing?
Here is what we have learned after 25 years of working within overlays across Melbourne, Stonnington, Port Phillip, Yarra, Glen Eira, and the Mornington Peninsula.
A heritage overlay is not a no. It is a framework. It asks you to understand the significance of what exists before you decide what to add, remove, or change. It requires a conversation with council, sometimes a heritage consultant, and always a considered approach to materials, form, and scale. What it rarely does is prevent a genuinely well-considered project from proceeding.
In our experience, the overlay often makes the architecture better. It forces a rigour that purely contemporary projects don't always demand. You cannot simply demolish and start again. You have to understand the original building, its logic, its proportions, its relationship to the street, and respond to it with care.
The result, when it works well, is a home that feels whole. Not a heritage facade with a foreign object attached at the rear, but a building that has evolved thoughtfully over time.
If you are looking at a heritage property and wondering whether a renovation is possible, the answer is almost always yes. The question is how, and that is exactly the conversation we are here to have.
#heritagearchitecture #heritageoverlay #melbournerenovation #victorianarchitecture #residentialarchitecture
Not every project starts with a full architectural brief.
Sometimes people just need clarity.
We offer a handful of smaller engagements for homeowners and builders who are not yet at the full project stage but need an expert in their corner.
A pre-purchase consult before you commit to that dream home.
A heritage overlay session to understand what council will and will not allow before you spend a dollar on drawings.
A documentation review if something in your builder's scope is not quite sitting right.
A renovation clarity session when you are caught between competing quotes and need someone to cut through the noise.
These sessions are short, focused, and genuinely useful.
They are also the thing we wish more people knew they could access before committing to a full project.
If you are sitting on a question about a property or a renovation and you are not sure whether it warrants a full architectural engagement, the answer is probably one of these.
Reach out through the link in our bio.
#architecturalproject #melbournerenovation #architectureadvice #heritageoverlay #renovationproject
Some clients arrive with a brief. Others arrive with a vision. And occasionally, someone walks through a door and sees not what a building is, but everything it was and everything it could be again.
This was one of those clients.
Craigellachie is a c1873 Italianate Victorian residence, built in two stages, classified by the National Trust and largely unchanged since Victorian days. Twenty two rooms. Ornate 15ft ceilings. Intricate tessellated tiles. Baltic pine floors. Eleven marble mantelpieces. Stained glass windows. A two level observation tower. A sprawling return verandah.
When we first walked through it, the word that kept coming back was romantic. Dilapidated, yes. In need of enormous care and attention. But romantic in the way that only a building with genuine bones and a genuine story can be. The kind of place that asks something of you.
The client understood that immediately. They came not to reinvent it but to honour it. To breathe new life into something that had been quietly waiting. The brief was glamorous and generous. A sophisticated family home with the space and warmth to entertain beautifully, and enough room that the children would never want to leave.
What made this project truly special was the team that came together around it. Flack Studio, Connect Plus, Florian Wild and Basis Builders worked tirelessly with the care and craft a building like this demands. Collaboration in the truest sense of the word, every discipline present, every voice genuinely in play.
This is what heritage work is really about. Not preservation for its own sake, but the belief that a building's story is worth continuing. That the right family, the right vision, and the right team can return something extraordinary to its former glory without dimming a single thing that made it special.
Craigellachie is magnificent. It always was.
#kisterarchitects #melbournearchitect #craigellachie #heritagerenovation
There is a particular suburb of Melbourne that doesn't get nearly enough credit for what it's holding.
Caulfield. Quietly, persistently, extraordinarily rich in mid-century modernist housing. Architect-designed homes from the 1950s, 60s and 70s that were genuinely experimental in their time. Low-lying. Site-responsive. Considered in their relationship between inside and out in ways that still feel relevant today, and in some cases feel ahead of where residential architecture currently sits.
We keep finding ourselves drawn back here. And we think we know why.
These houses were built by architects who were thinking seriously about how people actually live. The proportions are already right. The connection to landscape already considered. The material palette already resolved in that particular mid-century way: timber, concrete, brick, glass, used honestly and without excess. The bones are extraordinary, and the bones are the brief.
Working with Caulfield's modernist fabric asks you to be a respectful collaborator rather than an author. To understand what the original designer was reaching for, and to carry that intention forward into the present without diluting it. It's a discipline that makes you a better architect.
We have had the genuine privilege of being invited into. Each one different. Each one asking the same fundamental question: how do you add to something already extraordinary without diminishing it?
The best work we do here is the work that makes you wonder where the original ends and we begin.
Kister Architects
#kisterarchitects #melbournearchitect #caulfield #modernistarchitecture #australianmodernism